Artist Spotlight Get to Know the Genre-Bending Genius of BILLYTHEKID by Marissa Boyd November 12, 2025
Apocalypse Zombieland’s Third Edition Reinforced Its Position as a High-Caliber Festival for Bassheads by Jaclyn Sersland December 7, 2025
Sofiya Nzau: “Afrohouse is Such a Powerful Platform Because It’s Built on Rhythm and Feeling” by Sheila Lim December 7, 2025
December 7, 2025 Sofiya Nzau: “Afrohouse is Such a Powerful Platform Because It’s Built on Rhythm and Feeling”
November 27, 2025 Maddy O’Neal: “For a Long Time, I Felt Like I Didn’t Have a ‘Place’ Within Bass Music”
November 17, 2025 Ruth Royall: “I Hope ‘Queen’ Inspires Women, and Anyone Feeling Like an Outsider, to Do Things Their Own Way”
Product Reviews LANDR Mastering Plugin vs Ozone 12: a Comparison by EDM Identity Staff October 29, 2025
News Midnight Lovers Redefines DTLA’s Cocktail Culture at Bar Franca by Paloma Abarca October 27, 2025
Album Review 1985 Music Makes a Statement On Their Latest Compilation ‘Fragment / 2’ by Abby Hayden December 5, 2025
Exclusive Mix Dea Magna Unleashes Her Set from Escape Psycho Circus 2025 by Josue Paredes December 2, 2025
Exclusive Mix Nico Hartt Energizes the Fall Months with a Hard Trance Mix by Grant Gilmore November 30, 2025
New Releases Bruno Furlan Fuels Dirtybird’s Brazilian Adventure with ‘Meet Me’ EP by Paloma Abarca November 29, 2025
New Releases Lee Burridge and Lost Desert Reunite for Dreamy New EP, ‘November Snowflakes’ by Sheila Lim November 28, 2025