Cockroach

Roach, foulest of creatures,
who attacks with yellow teeth
and an army of cousins big as shoes,
you are lumps of coal that are mechanized
and when I turn on the light you scuttle
into the corners and there is this hiss upon the land.
Yet I know you are only the common angel
turned into, by way of enchantment, the ugliest.
Your uncle was made into an apple.
Your aunt was made into a Siamese cat,
all the rest were made into butterflies
but because you lied to God outrightly—
told him that all things on earth were in order—
He turned his wrath upon you and said,
I will make you the most loathsome,
I will make you into God’s lie,
and never will a little girl fondle you
or hold your dark wings cupped in her palm.

But that was not true. Once in New Orleans
with a group of students a roach fled across
the floor and I shrieked and she picked it up
in her hands and held it from my fear for one hour.
And held it like a diamond ring that should not escape.
These days even the devil is getting overturned
and held up to the light like a glass of water.
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Analysis (ai): "Cockroach" confronts the societal revulsion towards cockroaches, exploring the idea that even the most despised creatures may have a hidden beauty or value. Sexton uses figurative language to compare the cockroach to lumps of coal and mechanized creatures, emphasizing its repulsive qualities. However, she also suggests a deeper significance, referring to the cockroach as a "common angel," cursed by God for lying and transformed into an ugly creature.

The poem departs from Sexton's earlier works, which often focused on personal trauma and mental illness, by addressing a broader social issue. It reflects the changing attitudes towards societal outcasts and the search for beauty in unexpected places.

Sexton's use of the cockroach as a symbol of marginalized individuals aligns with the counterculture movements of the 1960s, which challenged established norms and celebrated outsiders. The poem's ending suggests a shift in perspective, as people begin to question the traditional boundaries between beauty and ugliness, and even the devil is re-examined. (hide)
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